{"id":45180,"date":"2009-05-03T12:35:13","date_gmt":"2009-05-03T16:35:13","guid":{"rendered":"http:\/\/www.zeitgeistworld.com\/?p=45180"},"modified":"2019-05-08T12:36:00","modified_gmt":"2019-05-08T16:36:00","slug":"camp-notes-on-fashion-exhibition","status":"publish","type":"post","link":"https:\/\/www.zeitgeistworld.com\/?p=45180","title":{"rendered":"Camp: Notes On Fashion Exhibition"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.zeitgeistworld.com\/wp-content\/uploads\/2019\/05\/911432378001_6018348547001_6018321056001-th-560x315.jpg\" alt=\"\" class=\"wp-image-45181\" srcset=\"https:\/\/www.zeitgeistworld.com\/wp-content\/uploads\/2019\/05\/911432378001_6018348547001_6018321056001-th-560x315.jpg 560w, https:\/\/www.zeitgeistworld.com\/wp-content\/uploads\/2019\/05\/911432378001_6018348547001_6018321056001-th.jpg 676w\" sizes=\"(max-width: 560px) 100vw, 560px\" \/><\/figure>\n\n\n\n<p>Through more than 250 objects dating from the seventeenth century to the present, The Costume Institute&#8217;s spring 2019 exhibition explores the origins of camp&#8217;s exuberant aesthetic. Susan Sontag&#8217;s 1964 essay &#8220;Notes on &#8216;Camp'&#8221; provides the framework for the exhibition, which examines how the elements of irony, humor, parody, pastiche, artifice, theatricality, and exaggeration are expressed in fashion.<\/p>\n\n\n\n<p>The Metropolitan Museum of Art, 1000 Fifth Ave, NYC, 800-662-3397, May 9-September 8, 2019, Tix <strong><a href=\"https:\/\/rsecure.metmuseum.org\/admissions\/tickets\">HERE<\/a><\/strong>.<br><\/p>\n\n\n<p><iframe src=\"https:\/\/players.brightcove.net\/911432378001\/SkBUku4V_default\/index.html?videoId=6033497081001\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Through more than 250 objects dating from the seventeenth century to the present, The Costume Institute&#8217;s spring 2019 exhibition explores the origins of camp&#8217;s exuberant aesthetic. Susan Sontag&#8217;s 1964 essay &#8220;Notes on &#8216;Camp&#8217;&#8221; provides the framework for the exhibition, which examines how the elements of irony, humor, parody, pastiche, artifice, theatricality, and exaggeration are expressed [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[8325,8326,927],"_links":{"self":[{"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/posts\/45180"}],"collection":[{"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=45180"}],"version-history":[{"count":1,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/posts\/45180\/revisions"}],"predecessor-version":[{"id":45182,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=\/wp\/v2\/posts\/45180\/revisions\/45182"}],"wp:attachment":[{"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=45180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=45180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.zeitgeistworld.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=45180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}