The East Village of the 1970s and 1980s continues to thrive in the global public’s imagination. Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978–83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in […]

The Costume Institute’s spring 2017 exhibition examines the work of Japanese fashion designer Rei Kawakubo, known for her avant-garde designs and ability to challenge conventional notions of beauty, good taste, and fashionability. The thematic show features approximately 140 examples of Kawakubo’s womenswear for Comme des Garçons dating from the early 1980s to her most recent […]

Counter-Couture: Handmade Fashion in an American Counterculture celebrates the handmade fashion and style of the 1960s and 1970s. Often referred to as the hippie movement, the Counterculture swept away the conformism of the previous decade and professed an alternative lifestyle whose effects still resonate today. Moved by the rejection of a materialist and consumerist interpretation […]

Celebrating an often-hidden side of the history of New York City.
New York has long been a beacon for lesbian, gay, bisexual, and transgender artists seeking freedom, acceptance, and community. Gay Gotham: Art and Underground Culture in New York brings to life the queer creative networks that sprang up in the city across the 20th century—a […]

Sorayama’s newest body of work features his signature “Sexy Robots” in the form of Hollywood starlets, retro-future pinups and pop cultural idols. In the artist’s superrealistic renderings, Kate Moss becomes a bionic Playboy bunny, Snow White’s queen a dominatrix and Elvis a laser emitting radio transmitter.
Hajime Sorayama has been a cult figure since the early […]

Stuart Davis (1892–1964) is one of the preeminent figures of American modernism. With a long career that stretched from the early twentieth century well into the postwar era, he brought a distinctively American accent to international modernism. Faced with the choice between realism and pure abstraction early in his career, Davis invented a vocabulary that […]